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  Lay Down My Sword and Shield

  ( Hackberry Holland - 1 )

  James Lee Burke

  'As I stood there on my front porch that hot, breathless July day, leaning against the column with the six bullet holes, now worn and smooth, I could see Hack's whitewashed marker under the pin oaks in the Holland family cemetery… Four generations of my family were buried there.'

  Hack Holland is a product of the South, both old and new. Hard-drinking ex-POW and wealthy, progressive Democrat, he stands in the long shadow cast by his ancestors. When Holland's candidacy for a congressional seat brings him increasingly into conflict with those around him, his almost unwitting involvement with a violent civil rights conflict forces him to reassess his future — and his past…

  James Lee Burke

  Lay Down My Sword and Shield

  This book is for my father, James L. Burke, Sr.,

  who taught me most of the good things I know about

  CHAPTER 1

  Almost ninety years ago during the Sutton-Taylor feud, John Wesley Hardin drilled a half-dozen.44 pistol balls into one of the wood columns on my front porch. My grandfather, Old Hack, lived in the house then, and he used to describe how Wes Hardin had ridden drunk all night from San Antonio when he had heard that Hack had promised to lock him in jail if he ever came back into DeWitt County again. The sun had just risen, and it was raining slightly when Hardin rode into the yard, his black suit streaked with mud, horse sweat, and whiskey; he had a shotgun tied across his saddle horn with a strip of leather and his navy Colt was already cocked in his hand.

  “You, Hack! Get out here. And don’t bring none of your Lincoln niggers with you or I’ll kill them, too.”

  (My grandfather was sheriff and justice of the peace, and the Reconstruction government had forced him to take on two Negro federal soldiers as deputies. Of the forty-two men that Hardin eventually killed, many were Negroes, whom he hated as much as he did carpetbaggers and law officers.)

  Hardin began shooting at the front porch, cocking and firing while the horse reared and pitched sideways with each explosion in its ears. Wes’s face was red with whiskey, his eyes were dilated, and when the horse whirled in a circle he whipped the pistol down between its ears. He emptied the rest of the chambers, the fire and black powder smoke roaring from the barrel, and all six shots hit the wood column in a neat vertical line.

  Hack had been up early that morning with one of his mares that was in foal, and when he saw Wes Hardin through the barn window he took the Winchester from the leather saddle scabbard nailed against the wall and waited for Wes to empty his pistol. Then he stepped out into the lot, his cotton nightshirt tucked inside his trousers, blood and membrane on his hands and forearms, and pumped a shell into the chamber. Wes jerked around backward in the saddle when he heard the action work behind him.

  “You goddamn sonofabitch,” Hack said. “Start to untie that shotgun and I’ll put a new asshole in the middle of your face.”

  Hardin laid his pistol against his thigh and turned his horse in a half circle.

  “You come up behind me, do you?” he said. “Get your pistol and let me reload and I’ll pay them nigger deputies for burying you.”

  “I told you not to come back to DeWitt. Now you shot up my house and probably run off half my Mexicans. I’m going to put you in jail and wrap chains all over you, then I’m taking you into my court for attempted assault on a law officer. Move off that horse.”

  Wes looked steadily at Hack, his killer’s eyes intent and frozen as though he were staring into a flame. Then he brought his boots out of the stirrups, slashed his spurs into the horse’s sides, and bent low over the neck with his fingers in the mane as the horse charged toward the front gate. But Hack leaped forward at the same time and swung the Winchester barrel down with both hands on Hardin’s head and knocked him sideways out of the saddle into the mud. There was a three-inch split in his scalp at the base of the hairline, and when he tried to raise himself to his feet, Hack kicked him squarely in the face twice with his boot heel. Then he put him in the back of a vegetable wagon, locked his wrists in manacles, tied trace chains around his body, and nailed the end links to the floorboards.

  And that’s how John Wesley Hardin went to jail in DeWitt County, Texas. He never came back to fight Hack again, and no other law officer ever got the better of him, except John Selman, who drove a pistol ball through his eye in an El Paso saloon in 1895.

  As I stood there on my front porch that hot, breathless July day, leaning against the column with the six bullet holes, now worn and smooth, I could see Hack’s whitewashed marker under the pin oaks in the Holland family cemetery. The trees were still in the heat, the leaves filmed with dust, and the shade was dappled on the headstones. Four generations of my family were buried there: Son Holland, a Tennessee mountain man from the Cumberlands who came to Texas in 1835 and fought at the battle of San Jacinto for Texas’s independence, was a friend of Sam Houston, later received twelve hundred acres from the Texas Republic, and died of old age while impressing horses for the Confederacy; Hack’s two older brothers, who rode with the Texas cavalry under General Hood at the battle of Atlanta; Great Uncle Tip, who made the first drive up the Chisholm Trail and married an Indian squaw; Sidney, a Baptist preacher and alcoholic, who always carried two revolvers and a derringer and killed six men; Winfro, murdered in a brothel during the Sutton-Taylor feud, his body dragged on a rope back and forth in front of the house by drunken cowboys; Jefferson, who had two years’ business college in Austin and decided to compete with the King and XIT ranches in the cattle market and lost six hundred acres of Holland land as a result; and Sam, my father — Hackberry’s son — a genteel man with a rheumatic heart, a onetime southern historian at the University of Texas and later a United States congressman during the New Deal, and finally a suicide.

  Out beyond the cemetery the green hills sloped down toward the river, which was now low and brown, and the crests were covered with blackjack, live oak, and mesquite. The cotton in the fields was in bloom, the rows evenly spaced and stretched out straight as a rifle shot, and the tomatoes had come out big and red in the early summer showers. The sun flashed brilliantly on the windmill blades, now idle in the still air, and in the distance the clapboard and shingle homes of the Mexican farmworkers looked like flattened matchboxes in the heat. My three natural-gas wells pumped monotonously up and down, the pipes on the well heads dripping moisture from the intense cold inside, and occasionally I could smell the slightly nauseating odor of crude gas. The wells were located in the middle of the cotton acreage, the derricks long since torn down, and the cotton rows were cut back from the well heads in surgically perfect squares, which always suggested to me a pastoral reverence toward the Texas oil industry.

  The front lane was spread with white gravel, the adjoining fields planted with Bermuda grass, and white wood fences ran both the length of the lane and the main road where my property ended. The lawn was mowed and clipped, watered each day by a Negro man whom my wife hired to take care of the rose gardens, and there were magnolia and orange trees on each side of the porch. The main portion of the house had been built by Hackberry in 1876, although the logs of Son Holland’s original cabin were in our kitchen walls, and it had changed little since. My wife had added a latticework verandah on the second story, with large ferns in earthen pots, and a screened-in side porch where we used to eat iced-tea dinners on summer evenings. After we began to take our meals separately, the porch was used as a cocktail bar for her lawn parties, complete with a professional bartender in a white jacket who shaved ice into mint julep glasses for the Daughters of the Confederacy, the Junior League, and the Texas Democratic Wome
n’s Club.

  But regardless of the Sunday afternoon lawn parties, the political women with their hard eyes and cool drinks, the white boxes filled with roses, the air-conditioning units in the windows, it was still Old Hack’s place, and sometimes at night when I was alone in the library the house seemed to creak with his angry presence.

  I suppose that’s why I always felt that I was a guest in the house rather than its owner. Even though I was named for Hack, I never had the gunfighter blood that ran in the Holland family. I was a Navy hospital corpsman during the Korean War and spent three months in Seoul passing out penicillin tablets for clap until I was finally sent up to the firing line, and I was there only six days before I was shot through both calves and captured by the Chinese. So my one attempt at Hack’s gunfighter ethic was aborted, and I spent thirty-two months in three P.O.W. camps. However, I’ll tell you more later about my war record, my wound and Purple Heart, and my testimony at a turncoat’s court-martial, since they all became part of my credentials as a Democratic candidate for Congress.

  I lit a cigar and walked down the glaring white lane to where my car was parked in the shade of an oak tree. I had showered and changed clothes a half hour before, but already my shirt and coat were damp, and the sun broke against my dark glasses like a hot green scorch. I sat back in the leather seat of the Cadillac and turned on the ignition and the air conditioner, and for just a moment, as the stale warm air blew through the vents, I could smell the concentrated odor of the gas wells, that scent of four thousand dollars a month guaranteed income from Texaco, Inc. I dropped the car into low, pushed slowly down on the accelerator, and I felt all three hundred fifty horses throb up smoothly through the bottom of my boot. The gravel pinged under the fenders, and I rumbled over the cattle guard onto the main road, then pushed the accelerator to the floor and listened to the tires whine over the soft tar surfacing. My white fences whipped by the windows, clicking like broken sticks against the corner of my eye, and I steered with three fingers at ninety miles an hour around the chuckholes and depressions, biting gently down on my cigar and watching the shadows on the fields race with me toward San Antonio and Houston. Several times when drunk I had driven one hundred and twenty miles an hour at night over the same road, hillbilly and gospel music from Del Rio thundering out of the radio, and the next morning I would sweat through my whiskey hangovers and see yellow flashes of light in my mind, the Cadillac rolling over in the field, the white fence gaping among the shattered boards, and I would be inside, bleeding blackly between the steering wheel and the crushed roof.

  But sober I drove with magic in my hands, an air-cooled omnipotence encircling me as the road sucked under the long frame of my automobile.

  As I neared Yoakum I unscrewed the cap of my flask and took a drink. The white ranch houses and the barns, the cattle and horses in the fields, the acres of cotton, and the solitary oak trees rolled by me. The sun reflected in a white flash off the hood of the car, and ahead the road seemed to swim in the heat. A thin breeze had started to blow, and dust devils spun along the dry edge of the cornfields. On the top of a slope the blades of a windmill turned into the breeze and began spinning rapidly; then the water sluiced out in a long white spray into the trough. At the edge of town I passed the rows of Negro and Mexican shacks, all alike even though some of them were built decades apart, all weathered gray, the porches collapsing, tar paper nailed in uneven shapes on the roofs, the dirt yards littered with broken toys, tangled wire, dirty children, plastic Clorox bottles, and garbage set out to rot in boxes. In the back, old cars with rusted engines and spiderwebbed windows sat among the weeds, faded overalls and denim shirts hung on the wash lines, and the scrub brush that grew in the gravel along the railroad bed was streaked black by passing locomotives.

  I sipped again from the flask and put it in the glove compartment. It was Saturday, and Yoakum was crowded with ranchers and farmers, women in cotton-print dresses, Mexican and Negro field workers, pickup trucks and battered cars, and young boys on the corner in lacquered straw hats and starched blue jeans that were as stiff as cardboard. On Main Street the old high sidewalks had iron tethering rings set in them, and the wood colonnade, built in 1900, extended over the walk from the brick storefronts. Old men in white shirts with clip-on bow ties sat in the shade, spitting tobacco juice on the concrete and looking out at the traffic with their narrow, sunburned faces. At the end of the street was the stucco-and-log jail where my grandfather had locked up Wes Hardin. It was set back in a lot filled with weeds, and the roof and one of the walls had caved in. The broken timbers and powdered stone lay in a heap on the floor, and kids had smashed beer bottles against the bars and had left used contraceptives in the corners. But on one wall you could still read the worn inscription that an inmate had scratched there with a nail in 1880: J. W. Hardin says he will kill Hack Holland for nigger meat.

  I had always wondered if Hack ever worried about Hardin breaking out of prison, or about Hardin’s relatives catching him in the back with a shotgun. But evidently he was never afraid of anything, because when Hardin was released from prison after fourteen years Hack sent him a telegram that read: Your cousins say you still want to gun me. If this is true I will send you a train ticket to San Antonio and we can meet briefly at the depot.

  Through law school at Baylor I used one of Hack’s.44 Colts as a paperweight. The bluing had worn off the metal, and the mahogany grips were cracked, but the spring and hammer still worked and the heavy cylinder would rotate properly in place when I cocked it. After I started law practice with my brother in Austin, I hung the pistol on my office wall next to a 1925 picture of Hack as an old man, with my father in a white straw hat. I had my law degree and Phi Beta Kappa certificate framed in glass on the wall also; but the gun and Hack’s creased face and long white bobbed hair dominated the office.

  It was almost two o’clock and over one hundred degrees when I reached San Antonio. The skyline was rigid in the heat, and on the hills above the city I could see the white stucco homes and red-tiled roofs of the rich with their terraced gardens and mimosa trees. I turned into the Mexican district and drove through blocks of secondhand clothing stores, Baptist missions, finance companies, and pawnshops. Slender pachucos in pegged slacks and maroon shirts buttoned at the cuff, with oiled hair combed back in ducktails, leaned idly against the front of pool halls and wino bars.

  I pulled into the Mission Motel, a dirty white building constructed to look like the Alamo. There were arches and small bell towers along an outer wall that faced the street. Cracked earthen jars, containing dead plants, stood in an imitation courtyard in front of the office. The bricks in the courtyard had settled from the rains and Johnson grass grew between the cracks. I took a room that I’d had before, a plaster-of-Paris box with a double bed (an electric, coin-operated vibrating machine built in), a threadworn carpet, walls painted canvas yellow, and a bucket of ice and two thick restaurant glasses placed on the dresser. I cut the seal on a bottle of Jack Daniel’s and poured a glass half full over ice. I sat on the edge of the bed, lit a cigar, and drank the whiskey slowly for five minutes. The red curtains were pulled across the window, but I could still see the hot circle of the sun in the sky. I finished the glass and had another. Then I felt it begin to take me. I had always liked to drink, and I’d found that during the drinking process the best feeling came right before you knew you were drunk, that lucid moment of control and perception when all the doors in your mind spring open and the mysteries suddenly reduce themselves to a simple equation.

  I dialed an unlisted number given to me three years ago by R. C. Richardson, a Dallas oilman whom I’d kept out of prison after he defrauded the government of fifty thousand dollars on a farm subsidy. He had written out a ten-thousand-dollar check on my office desk, his huge stomach hanging over his cowboy belt, and handed me his business card with the number penciled on the back.

  “I don’t know if lawyers like Mexican chili, but you won’t find none better than this,” he said.
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br />   He was crude, but he was right in that it was one of the best call-girl services in Texas — expensive, select, and professional. I always felt that the money and organization must have come from the Mafia in Galveston, because none of the girls or the woman who answered the phone seemed to be afraid that the client might be a cop.

  The woman on the phone sounded like a voice from an answering service. There was no inflection, accent, or tonal quality that you could identify with a region or with anyone whom you had ever met. I used to imagine what she might have looked like. She must have answered calls from hundreds of men in motel rooms and empty houses, their voices nervous, slightly drunk, hoarse with embarrassment and passion, cautious in fear of rejection. I wondered if those countless confessions of need and inadequacy had given her a devil’s insight into the respectable world, or if she was merely a mindless drone. I couldn’t identify her with the image of a fat, bleached madam with glass rings on her fingers, who would be altogether too human for the voice over the phone. Finally, I had come to think of her as a hard, asexual spinster, thin and colorless, who must have developed a quiet and cynical sense of power in her ability to manipulate the sex lives of others without any involvement on her part.

  As always she was discreet and subtly indirect in asking me what type of girl I wanted and for what services. And as always I made a point of leaving my motel registration name — R. C. Richardson.

  I hung up the phone and poured another whiskey over ice. Thirty minutes later the girl arrived in a taxi. She was Mexican, tall, well dressed in expensive clothes, and she had a delicate quality to her carriage. Her black hair was combed over her shoulders, and her white complexion would have been perfect except for two small pits in one cheek. She had high breasts and shoulders, and her legs were well formed against her tight skirt. She smiled at me and I saw that one of her back teeth was missing.