DR02 - Heaven's Prisoners Page 6

  The air was cool and the eastern sky plum-colored and striped with low-hanging red clouds when I opened up the bait shop the next morning. I worked until about nine o'clock, then left it with Batist and walked back up to the house for breakfast. I was just having my last cup of coffee when he called me on the phone.

  "Dave, you 'member that colored man that rent from us this morning?" he said.

  "No."

  "He talked funny. He not from around here, no."

  "I don't remember him, Batist. What is it?"

  "He said he run the boat up on the bar and bust off the propeller. He ax if you want to come get it."

  "Where is he?"

  "Sout' of the four-corners. You want me go after him?"

  "That's all right. I'll go in a few minutes. Did you give him an extra shearing pin?"

  "Mais sure. He say that ain't it."

  "Okay, Batist. Don't worry about it."

  "Ax him where he's from he don't know how to keep the boat in the bayou, no."

  A few minutes later I headed down the bayou in an out-board to pick up the damaged rental. It wasn't unusual for me to go after one of our boats. With some regularity, drunks ran them over sandbars and floating logs, bashed them against cypress stumps, or flipped them over while turning across their own wakes. The sun was bright on the water, and dragonflies hung in the still air over the lily pads along the banks. The V-shaped wake from the Evinrude slapped against the cypress roots and made the lily pads suddenly swell and undulate as though a cushion of air were rippling by underneath them. I passed the old clapboard general store at the four-corners where the black man must have used the phone to call Batist. A rusted Hadacol sign was still nailed to one wall, and a spreading oak shaded the front gallery where some Negro men in overalls were drinking soda pop and eating sandwiches. Then the cypress trees and cane along the banks became thicker, and farther down I could see my rental boat tied to a pine sapling, swinging empty in the brown current.

  I cut my engine and drifted into the bank on top of my wake and tied up next to the rental. The small waves slapped against the sides of both aluminium hulls. Back in a clearing a tall black man sat on a sawed oak stump, drinking from a fifth of apricot brandy. By his foot were an opened loaf of bread and a can of Vienna sausages. He wore Adidas running shoes, soiled white cotton trousers, and an orange undershirt, and his chest and shoulders were covered with tiny coils of wiry black hair. He was much blacker than most south Louisiana people of color, and he must have had a half-dozen gold rings on his long fingers. He put two fingers of snuff under his lip and looked at me without speaking. His eyes were red in the sun-spotted shade of the oak trees. I stepped up onto the bank and walked into the clearing.

  "What's the trouble, podna?" I said.

  He took another sip of the brandy and didn't reply.

  "Batist said you ran over the sandbar."

  He still didn't answer.

  "Do you hear me okay, podna?" I said, and smiled at him.

  But he wasn't going to talk to me.

  "Well, let's have a look," I said. "If it's just the shearing pin, I'll fix it and you can be on your way. But if you bent the propeller, I'll have to tow you back and I'm afraid I won't be able to give you another boat."

  I looked once more at him, then turned around and started back toward the water's edge. I heard him stand up and brush crumbs off his clothes, then I heard the brandy gurgle in the bottle as though it were being held upside down, and just as I turned with that terrible and futile recognition that something was wrong, out of time and place, I saw his narrowed red eyes again and the bottle ripping down murderously in his long, black hand.

  He caught me on the edge of the skull cap, I felt the bottle rake down off my shoulder, and I went down on all fours as though my legs had suddenly been kicked out from under me. My mouth hung open, my eyes wouldn't focus, and my ears were roaring with sound. I could feel blood running down the side of my face.

  Then, with a casual, almost contemptuous movement of his body, he straddled me from behind, held my chin up with one hand so I could see the open, pearl-handled barber's razor he held before my eyes, then inserted the razor's edge between the back of my ear and my scalp. He smelled of alcohol and snuff. I saw the legs of another man walk out of the trees.

  "Don't look up, my friend," the other man said, in what was either a Brooklyn or Irish Channel accent. "That'd change everything for us. Make it real bad for you. Toot's serious about his razor. He'll sculpt your ears off. Make your head look like a mannequin."

  He lit a cigarette with a lighter and clicked it shut. The smoke smelled like a Picayune. Out of the corner of my eye I could see his purple suede cowboy boots, gray slacks, and one gold-braceleted white hand.

  "Eyes forward, asshole. I won't say it again," he said. "You can get out of this easy or Toot can cut you right across the nipples. He'd love to do it for you. He was a tonton macoute down in Haiti. He sleeps in a grave one night a month to stay in touch with the spirits. Tell him what you did to the broad, Toot."

  "You talk too much. Get finished. I want to eat," the black man said.

  "Toot had a whole bunch of surprises for her," the white man said. "He's an imaginative guy. He's got a bunch of Polaroids from Haiti. You ought to see them. Guess what he did to her."

  I watched a drop of my blood run off my eyelash and fall and break like a small red star in the dirt.

  "Guess!" he said again, and kicked me hard in the right buttock.

  I clenched my teeth and felt the clods of dirt bite into my palms.

  "You got dirty ears, huh?" he said, and kicked me in the thigh with the toe of his boot.

  "Fuck you, buddy."

  "What?"

  "You heard me. Whatever you do to me today I'm going to square. If I can't do it, I've got friends who will."

  "I've got news for you. You're still talking now because I'm in a good mood. Second, you brought this down on yourself, asshole. When you start talking to somebody else's whores, when you poke your nose into other people's shit, you got to pay the man. That's the rules. An old-time homicide roach ought to know that. Here's the last news flash. The chippy got off easy. Toot wanted to turn her face into one of his Polaroids. But that broad is money on the hoof, got people depending on her, so sometimes you got to let it slide, you know what I mean? So he put her finger in the door and broke it for her."

  "Hey," he said in an almost happy fashion, "don't look sad. I'm telling you, she didn't mind. She was glad. She's a smart girl, she knows the rules. It's too bad, though, you don't have a pussy between your legs, 'cause you ain't money on the hoof."

  "Get finished," the black man said.

  "You ain't in a hurry, are you, Robicheaux? Huh?" he said, and nudged me in the genitals with his boot.

  The blood dripped off my eyelash and speckled the dirt.

  "Okay, I'll make it quick, since you're starting to remind me of a dog down there," he said. "You got a house, you got a boat business, you got a wife, you got a lot to be thankful for. So don't get in nobody else's shit. Stay home and play with mama and your worms. If you don't know what I'm talking about, think about screwing a wife that don't have a nose."

  "Now let the man pay his tab, Toot."

  I felt the weight of the razor lift from behind my ear, then the white man's pointed boot ripped between my thighs and exploded in my scrotum. A furnace door opened in my bowels, a piece of angle iron twisted inside me, and a sound unlike my own voice roared from my throat. Then, for good measure, as I shuddered on my knees and elbows, heaving like a gutted animal, the black man stepped back and drop-kicked me across the mouth with the long-legged grace of a ballet dancer.

  I lay in an embryonic ball on my side, blood stringing from my mouth, and saw them walk off through the trees like two friends whose sunny day had been only temporarily interrupted by an insignificant task.

  I look out of the door of the dustoff into the hot, bright morning as we lift clear of the banyan trees, and the
elephant grass dents and flattens under us as though it were being bruised by a giant thumb. Then the air suddenly becomes cooler, no longer like steam off an oven, and we're racing over the countryside, our shadow' streaking ahead of us across rice paddies and earthen dikes and yellow dirt roads with bicyclists and carts on them. The medic, an Italian kid from New York, hits me with a syrette of morphine and washes my face from his canteen. He's barechested and sweaty, and his pot is strung with rubber spiders. Say goodbye to Shitsville, Lieutenant, he says. You're going back alive in '65. I smell the foulness of my wounds, the dried urine in my pants, as I watch the geographic history of my last ten months sweep by under us: the burnt-out ville where the ash rises and powders in the hot wind; a ditch that gapes like a ragged incision in the earth, where we pinned them down and then broiled them alive with Zippo-tracks; the ruptured dike and dried-out and baked rice paddy still pocked with mortar rounds where they locked down on us from both flanks and marched it right through us like a firestorm. Hey, Lieutenant, don't touch yourself there, the medic is saying. I mean it, it's a mess down there. You can't lose no more blood. You want I should tie your hands? They got refrigeration at the aid station. Plasma. Hey, hold his goddamn wrists. He's torn it open.

  "That's an ice bag you feel down there," the doctor was saying. He was a gray, thick-bodied man who wore rimless glasses, greens, and a T-shirt. "It'll take the swelling down quite a bit. It looks like you slept well. That shot I gave you is pretty strong stuff. Did you have dreams?"

  I could tell from the sunlight on the oak trees outside that it was late afternoon. The wisteria and blooming myrtle on the hospital lawn moved in the breeze. The drawbridge was up over Bayou Teche, and the two-deck pleasure boat was going through, its paddle wheel streaming water and light.

  My mouth was dry, and the inside of my lip felt as though it were filled with wire.

  "I had to put stitches in your scalp and six in your mouth. Don't eat any peanut brittle for a while," he said, and smiled.

  "Where's Annie?" I asked thickly.

  "I sent her for a cup of coffee. She'll be back in a minute. The colored man's outside, too. He's a big fellow, isn't he? How far did he carry you?"

  I had to wet the row of stiches inside my lip before I could talk again.

  "About five hundred yards, up to the four-corners. How bad am I down below, Doc?"

  "You're not ruptured, if that's what you mean. Keep it in your pajamas a couple of nights and you'll be all right. Where'd you get those scars around your thighs?"

  "In the service."

  "I thought I recognised the handiwork. It looks like some of it is still in there."

  "I set off metal detectors at the airport sometimes."

  "Well, we're going to keep you with us tonight, but you can go home in the morning. You want to talk with the sheriff now, or later?"

  I hadn't seen the other man, who was sitting in a leather chair in the corner. He wore a brown departmental uniform, held his lacquered campaign hat on his knee, and leaned forward deferentially. He used to own a dry-cleaning business in town before someone talked him into running for sheriff. The rural cops had changed a lot in the last twenty years. When I was a boy the sheriff wore a blue suit with a vest and a big railroad watch and chain and carried a heavy revolver in his coat pocket. He was not bothered by the bordellos on Railroad Avenue and the slot machines all over Iberia Parish, nor was he greatly troubled when white kids went nigger-knocking on Saturday nights. He'd tip his John B. Stetson hat to a white lady on Main, and talk to an elderly Negro woman as though she were a post. This one was president of the Downtown Merchants Association.

  "You know who they were, Dave?" he said. He had the soft, downturned lines in his face of most Acadian men in their late middle age. His cheeks were flecked with tiny blue and red veins.

  "A white guy named Eddie Keats. He owns some bars in Lafayette and New Orleans. The other guy is black. His name's Toot." I swallowed from the water glass on the table. "Maybe he's a Haitian. You know anybody like that around here?"

  "No."

  "You know Eddie Keats?"

  "No. But we can cut a warrant for him."

  "It won't do any good. I never saw his face. I couldn't make him in a lineup."

  "I don't understand. How do you know it was this guy Keats?"

  "He was messing around my house yesterday. Call the DEA agent in Lafayette. He's got a sheet on him. The guy works for Bubba Rocque sometimes."

  "Oh boy."

  "Look, you can pick up Keats on suspicion. He's supposed to be a low-level hit man. Roust him in his automobile, and maybe you'll turn something. Some weed, a concealed weapon, hot credit cards. These fuckers always have spaghetti hanging off the place somewhere." I drank from the water again and laid my head back on the pillow. My scrotum, with the ice bag under it, felt as big as a bowling ball.

  "I don't know about that. That's Lafayette Parish. It's a little like going on a fishing trip in somebody else's pond." He looked at me quietly, as though I should understand.

  "You want him back here again?" I said. "Because unless you send him a hard telegram, he will be."

  He was silent a moment, then he wrote in a pad and put the pad and pencil back in his shirt pocket and buttoned it.

  "Well, I'll give the DEA and the Lafayette sheriff's office a call," he said. "We'll see what happens."

  Then he asked some more questions, most of which were the formless and irrelevant afterthoughts of a well-meaning amateur who did not want to seem unsympathetic. I didn't reply when he said good-bye.

  But what did I expect? I couldn't be sure myself that the white man was Eddie Keats. New Orleans was full of people with the same Italian-Irish background that produced the accent you would normally associate with Brooklyn. I had admitted I couldn't make him in a lineup and I didn't know anything about the black man except that his name was Toot and he slept in a grave. What is an ex-dry cleaner who dresses like a Fritos delivery man supposed to do with that one? I asked myself.

  But maybe there was a darker strain at work inside me that I didn't want to recognise. I knew how local cops would have dealt with Eddie Keats and his kind twenty years ago.

  A couple of truly vicious coonass plainclothes (they usually wore J. C. Higgins suits that looked like clothes on a duck) would have gone to his bar, thrown his framed liquor license in the toilet, broken out all his car windows with a baton, then pointed a revolver between his eyes and snapped the hammer on an empty chamber.

  No, I didn't like them then; I didn't like them now. But it was a temptation.

  Batist came in smelling of wine and fish, with some flowers I suspected he had taken from a hall vase and put in a Coca-Cola bottle. When I told him that the black man named Toot was possibly a tonton macoute from Haiti who practiced black magic, Batist got him confused with the loup-garou, the bayou equivalent of the lamia or werewolf, and was convinced that we should see a traiteur in order to find this loup-garou and fill his mouth and nostrils with dirt from a witch's grave. He saw my eyes light on the pint wine bottle, with the paper bag twisted around its neck, that protruded from the back pocket of his overalls, and he shifted sideways in the chair to block my vision, but the bottle clanked loudly against the chair's arm. His face was transfused with guilt.

  "Hey, podna, since when did you have to hide things from me?" I said.

  "I shouldn't drink, me, when I got to look after Miss Annie and that little girl."

  "I trust you, Batist."

  His eyes averted mine and his big hands were awkward in his lap. Even though I had known him since I was a child, he was still uncomfortable when I, a white man, spoke to him in a personal way.

  "Where's Alafair now?" I said.

  "Wit' my wife and girl. She all right, you ain't got to worry, no. You know she talk French, her? We fixing po'-boys, I say pain, she know that mean 'bread,' yeah. I say sauce piquante, she know that mean 'hot sauce.' How come she know that, Dave?"

  "The Spanish language has a
lot of words like ours."

  "Oh," he said, and was thoughtful a moment. Then, "How come that?"

  Annie came through the door and saved me from an impossible discussion. Batist was absolutely obsessive about understanding any information that was foreign to his world, but as a rule he would have to hack and hew it into pieces until it would assimilate into that strange Afro-Creole-Acadian frame of reference that was as natural to him as wearing a dime on a string around his ankle to ward off the gris-gris, an evil spell cast by a traiteur, or conjuror.

  Annie stayed with me through the evening while the light softened on the trees outside and the shadows deepened on the lawn, the western sky turned russet and orange like a chemical flame, and high school kids strolled down the sidewalks to the American Legion baseball game in the park. Through the open window I could smell barbecue fifes and water sprinklers, magnolia blossoms and night-blooming jasmine. Then the sky darkened, and the rain clouds in the south pulsated with white streaks of lightning like networks of veins.

  Annie lay next to me and rubbed my chest and touched my face with her fingers and kissed me on the eyes.

  "Take away the ice bag and push the chair in front of the door," I said.

  "No, Dave."

  "Yes, it's all right. The doctor said there was no problem."

  She kissed me on the ear, then whispered, "Not tonight, baby love."

  I felt myself swallow.

  "Annie, please," I said.

  She raised up on one elbow and looked curiously into my face.

  "What is it?" she said.

  "I need you. You're my wife."

  She frowned and her eyes went back and forth into mine.

  "Tell me what it is," she said.

  "You want to know?"